Review: The Homecoming

The Homecoming by Harold Pinter, directed by Duncan Graham. Designed by Sarah John, lighting design by Nic Mollison, sound design by Andrew ...

Return of the prodigal blogger

George Hunka is back at a smart new site, a new play in his pocket, after a meditative few weeks hanging out Montauk with burbling nature (a...

Review: Cake / Kin

Fringe Festival: Cake by Astrid Pill, directed by Ingrid Voorendt. Designed by Gaelle Mallis, lighting design by Geoff Cobham, composition b...

Reprise: Know No Cure

Apropos of a discussion of Adam Broinwoski's Know No Cure in the review and comments of Hotel Obsino, Age writer Maher Mughrabi sent me ...

Meanwhile in England...

They're still dancing the ol' blogger-print tango. This time it's Rónán McDonald, who has written the latest in a series of book...

Woolf x Three

So here's why I've been flying along the Australian coastline like a confused fruitbat. From today's Australian, your peripateti...

How Alison Flubbed the Fringe

I just couldn't manage the Fringe. Here's why, with a potted summary of my week so far. Thursday and Friday: two openings, with an i...