Sometimes a gal just has to do the bullet-point thang, even if I'm not quite sure how to get a bullet point on blogger and have to settl...

Sometimes a gal just has to do the bullet-point thang, even if I'm not quite sure how to get a bullet point on blogger and have to settl...
Those who missed Tuesday's panel on theatre criticism at the Wheeler Centre will be able to catch up with it next week, when all the Cri...
Although she is, in essence, the most retiring of violets, Ms TN has been gadding about town as if gads are going out of fashion. My final g...
My diary is insane. The rollercoaster seems to be plunging right on until November: and then it's the end of 2010. Like, what happened? ...
I hope you've all ordered your copy of the 200th issue of Overland, due to be launched in a shower of bubbly at the Melbourne Writers Fe...
The Wheeler Centre, aka the Centre for Books, Writing and Ideas, nicely asked me for another response to Jonathan Mills's lecture, so th...
Recently I guest-edited the poetry for Cordite's Creative Commons issue. Today it goes live online, and it's well worth a browse. Mo...
Your long-lost blogger is circling back to the planet after a hiatus that was rather longer than planned. As you know, we moved house, which...
Rather unexpectedly, the Croggon-Keene clan is upping stakes and moving. Always, of course, the risk of renting, but over the past 11 years ...
The Australian Literary Review (published in today's Australian) today runs my piece on the controversy about whether plays are literatu...
My, it's June already. Like around 30 per cent of the Melburnian population, I've had a cold for more than three weeks. And Ms TN is...
1. Ex-Melbourne and Red Stitch director Sam Strong has been appointed the new artistic director of Sydney's Griffin Theatre. Joanne Ersk...
I seem to be suffering from something very like flu, which is putting the kybosh on both seeing and writing about the theatre. And at such a...
To the lovely readers who have kindly (and discreetly) emailed me to correct the typos in my last couple of reviews. Richard III set a typo ...
Gad, what a weekend. Your faithful blogger has been, and continues to be, under the pump: Herakles and the Hydra ain't got nothing on me...
And I realise I have yet to expatiate on the Malthouse production of Dario Fo's Elizabeth: Almost By Chance A Woman (except for the brie...
Let me remind you about John Bailey's mandatory Capital Idea blog - not least because the Hon. John, reviewer for the Sunday Age, gets t...
Because I have a sadistic superego, I feel vaguely conscience-stricken by the couple of commenters making sad cheeping noises about my (rela...
My feature on what arts festivals mean in our culture is in today's Australian. It gave me a chance to do some happy reminiscing:These s...
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