Ms TN's second week of Fringe demonstrated her craft and guile in negotiating the program: I enjoyed all three shows. There were a coupl...

Ms TN's second week of Fringe demonstrated her craft and guile in negotiating the program: I enjoyed all three shows. There were a coupl...
You can tell it's spring, because the ants are co-ordinating a spirited insurgency in the bathroom, and bare branches everywhere are bur...
Every September for the past five years, Ms TN has looked up from her desk to see the Melbourne Fringe Festival bearing down on her like an ...
In the interests of organisation, Ms TN has been tidying her desk. This bland, anodyne phrase cannot begin to comprehend the dimensions of t...
Attract/Repel is an intriguing work of theatre at the Store Room which meets, head-on, the question of racism. One of the best things about ...
'Tis the season for launches. Last night the Melbourne Fringe Festival launched itself into the giddy stratosphere. More than half a mil...
I just couldn't manage the Fringe. Here's why, with a potted summary of my week so far. Thursday and Friday: two openings, with an i...
TN is getting a little obsessive about time. In the brave new 21st century, there seems to be less of it around; a month passes in the flick...
Rubeville, written and directed by Thomas Henning. Music by Liam Barton, Sebastian Steiger and Sean the Saw. With Gareth Davis, Dylan Young ...
Material Mouth, performed and devised by Carolyn Connors. Directed by Margaret Cameron, lighting by Gwendolyna Holmberg-Gilchrist. La Mama ...
Drink Pepsi, Bitch performed and written by Eddie Perfect, co-written by Tom Wright. Directed by Tom Healey. Music performed by Ben Hendry, ...
Telefunken written and performed by Stuart Orr, directed by Barry Laing. Table 9 Productions @ the Tower Theatre, Malthouse, until September...
Fringe Festival: Into The Fire: Wallpaper by Lucy Stewart & Interrogation by Ben Noble, St Martins Youth Theatre; Spatial Theory, create...