Review: Measure for Measure, Human Interest Story

With All's Well That Ends Well, Troilus and Cressida and, sometimes, Hamlet, Shakespeare's Measure for Measure is most often charact...

Review: Structure and Sadness

The melancholy of modernityThere’s a poignancy in looking down over a city from a plane that in certain moods can be overwhelming. The struc...

Dance Massive: Lawn, Rogue, Untrained

I've had one of those months where writing a sentence - any sentence - feels like I'm trying to sculpt a hammer out of porridge. Or ...

MIAF: Corridor

Festival diary #8: SundayCorridor choreographed by Lucy Guerin. Set design by Donald Holt, lighting design by Keith Tucker, costumes by Paul...

MIAF: Two Faced Bastard, Interpreti Veneziani Baroque Ensemble

Festival Diary #4: Sunday and TuesdayTwo Faced Bastard, directed and choreographed by Gideon Obarzanek and Lucy Guerin. Set design by Ralph ...

Review: Aether / Brindabella

Brindabella, choreographed by Phillip Adams and Miguel Gutierrez, composed by David Chisholm. Set and lighting design by Andrew Livingston, ...

Review: Love Me

Love Me by Lucy Guerin. Motion graphics by Michaela French, lighting design by Keith Tucker, visual art by David Rosetzky, music and sound d...

Review: Tense Dave

Tense Dave, devised and directed by Lucy Guerin, Michael Kantor and Gideon Obarzanek. Dramaturge Tom Wright, design by Jodie Fried, Andrew L...