Melbourne Festival review: Assembly

One of the strongest aspects of this year's Melbourne Festival program is the local performance. I can remember a time when under-develo...

Review: Amplification, Faker

Finally - the last of my responses to Dance Massive, which, such is the pace of life around these here parts, feels in the remote past alrea...

Dance Massive: Connected

You know, I thought that Melbourne was a small city, just the right size for a cultural grasshopper like Ms TN. Unlike the seething metropol...

Review Dance Massive: Inert, Mortal Engine

"What a charming amusement for young people this is, Mr. Darcy! - There is nothing like dancing after all. - I consider it as one of th...

MIAF: Two Faced Bastard, Interpreti Veneziani Baroque Ensemble

Festival Diary #4: Sunday and TuesdayTwo Faced Bastard, directed and choreographed by Gideon Obarzanek and Lucy Guerin. Set design by Ralph ...

Edinburgh's Australian invasion

Ms TN is a bit slow off the mark this week - blame the massive bundle of proofs that thumped on my doormat yesterday, distracting me from th...

Review: Glow

Melbourne Festival #11Glow, conceived and choreographed by Gideon Obarzanek. Concept and interactive design system by Frieder Weiß. Original...

Review: Tense Dave

Tense Dave, devised and directed by Lucy Guerin, Michael Kantor and Gideon Obarzanek. Dramaturge Tom Wright, design by Jodie Fried, Andrew L...