Review: Return To Earth

I walked out of the opening night of Lally Katz's new play Return To Earth with my stomach in a knot. Readers, I have seldom seen a prod...

Review: A Golem Story

*Spoiler alert*In A Golem Story, Michael Kantor and Lally Katz reach into Judaeic folklore and mystic traditions, fashioning a work of theat...

Interview: Lally Katz

Next year, Lally Katz is probably the most produced playwright in Australia (although Shakespeare might give her a run for her money). She h...

Review: Goodbye Vaudeville Charlie Mudd

Back in 2000 I was, for six months, a writer-in-residence in the hallowed halls of academe, viz. Cambridge University. This was a most inter...

Smoke, war and Mudd

Ms TN flew back into the smoke haze of Victoria yesterday afternoon. It was all a bit spooky, peering out from my little metal tube 38,000 f...

Full Dress Press

Very interesting news in my mailbox this morning. Full Dress Productions, which under David Frazer has been producing some very respectable ...

Review: Criminology

Criminology, devised by Rosemary Myers and written by Lally Katz and Tom Wright. Design by Anna Tregloan, video design direction Peter Brund...

Review: Thom Pain/The Eisteddfod

Thom Pain (Based on Nothing) by Will Eno, directed by Julian Meyrick. Lighting by Kerry Saxby, design consultant Meredith Rogers. With Neil ...