Naked censorship

Yesterday it was reported that police were investigating websites hosting Bill Henson's photographs. Aside from the grim humour of seein...

Review: Frost/Nixon

Frost/Nixon, by Peter Morgan, directed by Roger Hodgman. Designed by Richard Roberts, costumes by Judith Cobb, lighting by Matt Scott, compo...

The wash up

Daniel Schlusser pointed out last week that an illiterate idiot published in the Age was quoting William Blake in order to condemn Bill Hens...

Review: How To Disappear Completely

How To Disappear Completely and Never Be Found, by Fin Kennedy, directed by Paul King, Sound design by George Bisset. With Michael F Cahill,...

Briefly

This week has been a dead loss as far as what's loosely called "my life" is concerned. The phone's been running hot with t...

2020 Open Letter in Support of Bill Henson

I know it's been quiet on the blog the past couple of days. However, it has not been quiet at home: I've been putting together an Op...

On a less gloomy note

I forgot to mention, until reminded by my publisher this morning, that composer Andrée Greenwell's chamber outfit Villainelles last nigh...