Notes on The Serpent's Teeth

The Serpent's Teeth: Citizens and Soldiers, by Daniel Keene, directed by Pamela Rabe and Tim Maddock. Set design by Robert Cousins, cost...

Criticism...again

In today's Australian, art critic Sebastian Smee ponders whether criticism is at all defensible. And confesses that critics "are ho...

More on the 2020

Just back from Sydney, of which more in due course (once I plant a few trees to offset my carbon footprint, get some sleep and find my brain...

Review: Venus & Adonis

Venus & Adonis by William Shakespeare, directed by Marion Potts. Set and costumes by Anna Tregloan, lighting design by Paul Jackson, com...

The 2020 experience

Yesterday, I felt like Wil E. Coyote after he's been thumped by a giant hammer. That little flattened concertina shape was Ms TN, just b...

Green Room Awards

The Green Room Awards were announced on Sunday. I would have been there - I'm on the Theatre - Companies panel and had more than a passi...

Home from Oz

I'm back home, feeling like I've been through a mangle. I'm writing a report for tomorrow, so watch this space.