Indisposed

Ms TN has been dabbing her forehead with lavender water since Monday, attempting to mitigate what the redoubtable Miss Austen called "a...

Rattling the cage

I don't usually do memes, but this one is kind of fun. I've taken it from George Hunka over at Superfluities, and it runs like this:...

Bendall moves west

Chris Bendall, artistic director and co-founder of Theatre@Risk, today announced that he is pulling up sticks and moving to Perth to be AD o...

Review: Venus in Furs

Venus in Furs, by Leopold von Sacher-Masoch, adapted by Neal Harvey, directed by Marcel Dorney. Design by Lucie Sprague, lighting design by ...

The culture wars continue

So yesterday the Malthouse launches what is, on first sight, its best balanced season yet, demonstrating diversity, depth and - addressing a...

Review: Ollie and the Minotaur

Ollie and the Minotaur, by Duncan Graham, directed by Sarah John. With Sarah Brokensha, Adriana Bonaccurso and Wendy Bos. floogle in associa...

Little Alison's Great Diary Disaster

Ms TN set some kind of record this week - I inadvertently managed to book myself into three separate shows on a single night. (Apologies to ...