Review: Nightshift

Nightshift, by Phil Motherwell, directed by Phil Motherwell and Shiralee Hood. Lighting by Gabriel Townsend, projections by Ian De Grucy, ph...

The heat is on

It seems unfair that, after a week of writerly virtue - dogsbody stuff, filling in forms and painstakingly dotting tees and crossing eyes - ...

Brief hiatus

Although it's been quiet here on the blog, it doesn't mean that my study isn't humming with activity. To wit: my novel has lande...

Review: Love Song

Love Song by John Kolvenbach, directed by Craig Ilott. Designed by Nicholas Dare, lighting by Jon Buswell, composer Basil Hogios, a/v by Bri...

Tartuffe revisited

So many people I respect, privately and online, have differed with me on my review of Tartuffe (closing this Saturday at the Malthouse) that...

Review: Chekhov Re-Cut: Platonov

Chekhov Re-Cut: Platonov, by Anton Chekhov, adapted and directed by Simon Stone. Design by Evan Granger, lighting by Danny Pettingill, sound...

Shall I compare thee...?

Sunday afternoon, and back from a pleasant amble in the sunshine with the mutt before heading to an early session of The Hayloft Project...