Alison's Festival Diary #2Songs of Exile, Diamanda Galas; Hamer Hall, Victorian Arts Centre. There's no question that Diamanda Galas...

Alison's Festival Diary #2Songs of Exile, Diamanda Galas; Hamer Hall, Victorian Arts Centre. There's no question that Diamanda Galas...
Theatre Notes is proud to announce the MIAF Knob-Jockey Awards, for particularly stunning instances of critical philistinism during the Melb...
Alison's Festival Diary #1It's feeding frenzy time for Melbourne culture vultures: yes, Theatre Notes has been donning her gladrags ...
Material Mouth, performed and devised by Carolyn Connors. Directed by Margaret Cameron, lighting by Gwendolyna Holmberg-Gilchrist. La Mama ...
On the train home from today's forum, I opened Giorgio Agamben's book of essays, Means Without End: Notes on Politics, to this seren...
Drink Pepsi, Bitch performed and written by Eddie Perfect, co-written by Tom Wright. Directed by Tom Healey. Music performed by Ben Hendry, ...
Yes, your favourite blogger is doing the dreaded critics' panel thing again, in which we crrrritics Socratically examine our chosen voca...