Review: Ophelia Doesn't Live Here Anymore

It's proverbial that there is a Hamlet for every century. As Jan Kott says, it's a play that absorbs its times. The Romantic era gav...

Review: The Dollhouse

In the past few years, adaptations of classic plays have become more the norm than otherwise in Australian innovative theatre. Two directors...

Review: The Hollow, The Bedroom Project

Ms TN spent most of last week in her bathchair with smelling salts taped under her nose, which partly accounts for the belatedness of these ...

Review: Life is a Dream, When The Rain Stops Falling

The most contemporary thing about contemporary art is its crisis...The Accident of Art, Paul VirilioIt's always interesting to revisit a...

Review: Poet No. 7

Any play with "poet" in the title is going to catch Ms TN's attention, although I have to admit that poetry doesn't necess...

Review: Peer Gynt

Peer Gynt. What a loser! Liar, narcissist, storyteller, dreamer, wild boy, arms dealer, Emperor of the Self, so fixated on his own desires t...

Review: The Zombie State

The Zombie State by Ben Ellis, directed by Daniel Schlusser. Set and costumes designed by Kate Davis, lighting design by Niklas Pajanti and ...

Review: Life is a Dream

Life is a Dream by Pedro Calderón, translations by Beatrix Christian, directed by Daniel Schlusser. Set and costumes by Marg Howell, lightin...

Review: A Dollhouse

A Dollhouse by Henrik Ibsen, directed by Daniel Schlusser. Set design by Jeminah Reidy, costumes by Tiffany Abbott, lighting design by Kimbe...