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Saturday, January 15, 2011

Info Post
Every time David Williamson writes a new play, the Australian theatre world launches into one of its favourite games. It goes like this.There's a flurry of pre-publicity in which we hear, again, that Williamson is our best-selling playwright, a "national myth-maker" who takes the pulse of our times and touches the receptive hearts of the masses. We hear that "the critics" are unkind and out of

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