Just a quick note...

The first few days of the Melbourne Festival have been a time of maximum input, with no time for outputting (aside from Twitter, which exists, as you know, outside time). I've seen five MIAF shows so far, and will be logging my reviews in the next few days. But because the season is so short I wanted to tell you of my highlight so far: Stifter's Dinge, Heiner Goebbel's miraculous automaton, which