Review: Dying City, Do Not Go Gentle...

Christopher Shinn is rightly lauded as one of the most powerful and accomplished playwrights now working in the US. Like his compatriot Will Eno, his work in his country of birth is more often honoured in the breach: his first play Four was rejected by every US theatre he sent it to, before it premiered at the Royal Court in London in 1998 and established his growing British reputation. Dying