Review: Tom Fool, Leaves of Glass

I keep hearing, here and there, that these days "text-based theatre" (to you and me, "plays") is out of fashion. The contemporary stage, the whisper goes, is hostile to the writer: in these post-dramatic, post-structural, post-everything times, the director has seized the crown in the theatrical hierarchy and the playwright is out in the cold, shivering in his underpants.The truth is, just as the