Anatomy Titus: Fall of Rome: A Shakespeare Commentary, by Heiner Müller, translated by Julian Hammond, and directed by Michael Gow. Designed...

Anatomy Titus: Fall of Rome: A Shakespeare Commentary, by Heiner Müller, translated by Julian Hammond, and directed by Michael Gow. Designed...
Lifting my studious head from the bloody skirmishes of 5th century Denmark, I stumbled over a report which claimed that things appear scarce...
It's gone quiet because I'm back with Beowulf and the Geats, squinting through the Anglo-Saxon and picking out another version. I...
Care Instructions by Cynthia Troup, directed by Margaret Cameron. Music by David Young, lighting design by Danny Pettingall. With Jane Bayly...
The Women of Troy by Euripides, adapted by Tom Wright and Barrie Kosky, directed by Barrie Kosky. Designed by Alice Babidge, lighting by Dam...
Avast & Avast II - The Welshman Cometh, by Black Lung Theatre Company, presented by the Malthouse. With Sacha Bryning, Gareth Davies, Th...
MESHWORKS - the Miami University Archive of Writing in Performance - has uploaded several videos of readings from the Soundeye Cork Internat...
The Hypocrite by Molière, adapted by Justin Fleming, directed by Peter Evans. Designed by Stephen Curtis, lighting by Matt Scott, music by I...
The Australia Council yesterday released its Draft Children in Art Protocols, which will determine council funding where artists are working...
Summer is icumen in, meaning that 2008 is rushing to its close with, on my part, a feeling of inexpressible relief. Wasn't it March only...
The Lower Depths by Maxim Gorky, directed by Ariette Taylor. Designed by Adrienne Chisolm, lighting by Emma Valente. With Adam Pierchalski,...
Over the weekend, Ms TN's body found new and nasty ways to remind her that she is human, all too human. I succumbed to a few minor but u...
Welcome back to the world!