I'm about to take my leave of Melbourne for three weeks as I head for the northern hemisphere to declaim my poems to hushed crowds in Co...

I'm about to take my leave of Melbourne for three weeks as I head for the northern hemisphere to declaim my poems to hushed crowds in Co...
The Fall by Albert Camus, adapted by Michael Cronin from Justin O'Brien's translation. Directed by Emma Valente, with Drew Tingwell....
A final note on Peter Handke, via Pierre Joris at Nomadics, to wrap up the controversy about the Heinrich Heine Prize. Earlier this month, H...
Theatre Notes celebrates its second birthday this month: it was in June 2004 that my lightbulb moment happened and I started blogging theatr...
Eldorado by Marius von Mayenburg, translated by Maja Zade, directed by Benedict Andrews. Design Anna Tregloan, lighting design Paul Jackson,...
Circus Oz: Laughing at Gravity tour. With Svetlana Bunic, Stuart Christie, Jim Dunlop, Mel Fyfe, Sharon Gruenert, Scott Hone, Christa Hughes...
Lally Katz and the Terrible Mysteries of the Volcano by Lally Katz, directed by Chris Kohn. Design by Adam Gardnir, lighting by Richard Vabr...
Chronicles of the Sleepless Moon written, devised and performed by Joseph O'Farrell, Miles O'Neil and Glen Walton. The Suitcase Roya...
I just gave my home page a very overdue once-over - combing out dead links, a few updates and the like. Meanwhile, reviews of Suitcase Royal...
Mr Raymond Gill, the esteemed arts editor of The Age, often gives the impression that he would rather be doing something else. Anything else...
Charcot by William Glaser, directed and designed by Clare Watson. Lighting by Paul Lim, music and sound design Kelly Ryall. With Miriam Glas...
...as Sarsaparilla, the Australian group litblog to which I'm contributing, is winningly referred to already, I've posted a short m...
Peter Handke is in the headlines again, this time after he was stripped of the prestigious Heinrich Heiner Prize by the city of Dusseldorf....