Eagle-eyed readers will notice that I have given Theatre Notes a swish new look. Unless they're squinting at it through Internet Explor...

Eagle-eyed readers will notice that I have given Theatre Notes a swish new look. Unless they're squinting at it through Internet Explor...
Headlock, text by David Denborough, directed by Kate Denborough. Set and lighting, Ben Cobham, Music by Byron Scullin. With Luke Hockley, B...
Launching with a bang on this momentous Monday, with posts already on the imminent demise of the novel, the situation in East Timor, an obit...
Wondering what to do this Sunday? Of course you are. So head on down to the Malthouse, where your faithful blogger is hosting the next Thing...
The rebarbative Gilles d'Aymery gives his opinions on l'affaire Handke some vigorous exercise (for background, just scroll down) a...
I am not reviewing Romeo and Juliet, The Bell Shakespeare Company's first touring production for this year, for two reasons. One is that...
Worth reading, for those intrigued by the conundrum of Peter Handke's attitudes to Serbian nationalism and by the nexus between language...
Ah Melbourne, Melbourne, Melbourne: would it be home without the weather? It's a Melburnian obsession: every conversation, on buses, on ...
Mrs Petrov's Shoe by Noelle Janaczewska, directed by Chris Bendall. Video Kirrilly Brentnall, design Kelle Frith, lighting Nick Merryle...
Michael Roloff, Handke's English translator, has some noteworthy comments on the Handke controversy at this colourful Handke web page, w...
Just added a couple more links from the Northern European English Speaking Sphere of Influence (ie, England and Scotland) to my theatre blog...
Update: Via Playgoer: The London Times weighs in with a think piece that defends Handke - and art - against narrow moralising. Unfortunately...
Update: Our Man in Paris Ben Ellis updates the story with an excellent post that summarises for us blockhead monolinguists some of the admir...
A Single Act by Jane Bodie, directed by Julian Meyrick. Design Louise McCarthy, lighting Ben Cobham, composer Darrin Verhagen. With Anita He...
Over at Parachute of a Playwright, Ben Ellis has an excellent update on the Handke affair. He translates an article from Le Figaro (Paris...
A View of Concrete by Gareth Ellis, directed by Lauren Taylor. Design by Adam Gardnir, lighting Richard Vabre, composer Tom Spender, sound d...
I've just updated my Blogroll (scroll down the side panel) to add some great theatre blogs that have swum over my screen recently. So do...