Yes, your indefatigable blogger is off to the States for the next month, to do some poetry readings and a couple of appearances as a Fantasy...

Yes, your indefatigable blogger is off to the States for the next month, to do some poetry readings and a couple of appearances as a Fantasy...
Test Pattern by Angus Cerini, directed by Nadja Kostich. Lighting design by Richard Vabre, set & costume by Marg Horwell, sound design b...
Alison's Festival Diary #6Good Samaritans, written and directed by Richard Maxwell, with Rosemary Allen and Kevin Hurley. New York City ...
Looking up briefly to belatedly acknowledge Harold Pinter's Nobel Prize. Onya, Harold! Theatre Notes has the deepest admiration for Pi...
Le Dernier Caravansérail (Odyssées): Part One - Le Fleuve cruel (The Cruel River) and Part Two - Origines et Destins (Origins and Destinies)...
Alison's Festival Diary #4Death and the Ploughman by Johannes von Saaz, translated by Michael West. Directed by Anne Bogart, with Will B...
Alison's Festival Diary #3The Odyssey by Tom Wright, directed by Michael Kantor, designed by Anna Tregloan. With Paul Blackwell, Leon Ew...
Alison's Festival Diary #2Songs of Exile, Diamanda Galas; Hamer Hall, Victorian Arts Centre. There's no question that Diamanda Galas...
Theatre Notes is proud to announce the MIAF Knob-Jockey Awards, for particularly stunning instances of critical philistinism during the Melb...
Alison's Festival Diary #1It's feeding frenzy time for Melbourne culture vultures: yes, Theatre Notes has been donning her gladrags ...
Material Mouth, performed and devised by Carolyn Connors. Directed by Margaret Cameron, lighting by Gwendolyna Holmberg-Gilchrist. La Mama ...
On the train home from today's forum, I opened Giorgio Agamben's book of essays, Means Without End: Notes on Politics, to this seren...