Review: Rock'n'Roll

Rock’n’Roll by Tom Stoppard, directed by Simon Phillips. Designed by Stephen Curtis, costumes by Tracy Grant Lord, lighting by Matt Scott, A...

Review: Asylum

Asylum by Kit Lazaroo, directed by Jane Woollard. Design by Amanda Johnson, lighting design by Richard Vabre, sound design by Peter Farnan. ...

Hamlet, cigarettes, that kind of thing

It's been a busy week. Not only have I been fending off the blunt pikes and grammatical shambles of that Lilliputian literary intellect,...

Interview: Marius von Mayenburg

If you were looking for a model of a writer in the theatre, you could do worse than point to Marius von Mayenburg: playwright, translator an...

The Empire Strikes Back

That monstrous crrrritic Ms TN gets a bit of what's coming to her in Crikey today. My spies tell me that Peter Craven has gone for the t...

Review: Tartuffe

Tartuffe by Molière, adapted by Louise Fox, directed by Matthew Lutton. Companion artist Neil Armfield. Set and costumes by Anna Tregloan, l...

How theatre is saving the soul of Australian fillums

But does Australian film know this? Lately, TN - lynx-eyed in all things theatrical - has noticed that a number of theatre artists are quiet...