Review: The Histrionic

The Malthouse/Sydney Theatre Company production of Thomas Bernhard's 1984 play The Histrionic is, apparently, the first professional pro...

Review: Welcome to Thonnet

For the past couple of weeks, the Melbourne International Comedy Festival has crashed over our fair city like a tidal wave, dragging the cro...

Review: Red

A few years ago, I spent some time with the Seagram Rothkos in the Tate Modern collection. Grouped together in a specially designed gallery,...

Briefs: Tina C, The Rake's Progress, Zombatland

Once upon a time, O my best beloved, when the jungle was so primitive that not one animal had an iPhone, Ms Alison did one thing at a time, ...

The Agony of Mike Daisey

A quick pointer to George Hunka's excellent roundup of the scandal unfolding around Mike Daisey's The Agony and the Ecstasy of Steve...

The Wild Duck: Redux

A quick pointer to Jana Perkovic's fascinating critique of The Wild Duck, and the conversation which it's prompting. Warning: long. ...

Review: The Seed

I missed the opening night of The Seed. From other reviews I've read, this was probably a good thing: sometimes it strikes me that press...