When I emerged from Beautiful Burnout, the National Theatre of Scotland and Frantic Assembly’s examination of the art of boxing, I tweeted e...

When I emerged from Beautiful Burnout, the National Theatre of Scotland and Frantic Assembly’s examination of the art of boxing, I tweeted e...
From the moment that Philip Glass's insistent, spiralling score erupts in the auditorium, this revival of Lucinda Child's 1979 work ...
On this mercifully cool Perth day, Ms TN found herself in a fragile state. This is entirely the fault of the "festive" part of ...
UK Shakespearean company Propeller is an odd beast. Under the artistic direction of Edward Hall, its mission is to refresh Shakespeare using...
Mozart's The Magic Flute often seems to me like a quintessence of opera, equal parts nonsense and delight. It's an absurd fairytale,...
NB: Serious spoiler warnings. After I left Teatro de los Sentidos's Oráculos last night, I wandered back to my hotel room through the Pe...
Regular readers will know that Ms TN has spent the past few years vainly attempting to find a balanced life. Every year I vow to see less th...