Review: Love Song

Love Song by John Kolvenbach, directed by Craig Ilott. Designed by Nicholas Dare, lighting by Jon Buswell, composer Basil Hogios, a/v by Bri...

Tartuffe revisited

So many people I respect, privately and online, have differed with me on my review of Tartuffe (closing this Saturday at the Malthouse) that...

Review: Chekhov Re-Cut: Platonov

Chekhov Re-Cut: Platonov, by Anton Chekhov, adapted and directed by Simon Stone. Design by Evan Granger, lighting by Danny Pettingill, sound...

Shall I compare thee...?

Sunday afternoon, and back from a pleasant amble in the sunshine with the mutt before heading to an early session of The Hayloft Project...

Review: Rock'n'Roll

Rock’n’Roll by Tom Stoppard, directed by Simon Phillips. Designed by Stephen Curtis, costumes by Tracy Grant Lord, lighting by Matt Scott, A...

Review: Asylum

Asylum by Kit Lazaroo, directed by Jane Woollard. Design by Amanda Johnson, lighting design by Richard Vabre, sound design by Peter Farnan. ...

Hamlet, cigarettes, that kind of thing

It's been a busy week. Not only have I been fending off the blunt pikes and grammatical shambles of that Lilliputian literary intellect,...