In Which Ms TN Discourses At Length

KO: REVOLUTION. What takes place as indicated by Ko is believed in only after it has been accomplished. Hexagram 49, I Ching.It's no exa...

2010: or Why I Love Living In Melbourne

It's that time of year again. Mechanical Santas litter the pavements, cheering on the shopping with catatonic hohohos, and those of us w...

Review: The Nest

A fascinating phenomenon over the past few years has been the revival of naturalism as a theatrical force. For years, commentators divided A...

Collected Works benefit

Collected Works, under the proprietorship of Kris Hemensley, is one of the treasures of Melbourne. It is that rarest of businesses, a poetry...

Independent theatre

The Australian today publishes my whistle-stop and inevitably partial guide to Australian independent theatre. Feel free to note significant...

Review: Peer Gynt, Elektra, Creditors

The talk in the foyers of late has been that of scarred veterans swapping notes from the front-lines of culture. Never, say hardened theatre...

Holding post

Ms TN's brain has once again gone AWOL. I've released its description on Interpol, on the off chance that it's done something gl...